archive-edu.com » EDU » S » STANFORD.EDU

Total: 473

Choose link from "Titles, links and description words view":

Or switch to "Titles and links view".
  • Iconoclasm (ARTHIST 209C, CLASSICS 158, CLASSICS 258, REES 409) | Department of Art & Art History
    Exhibition Spaces About Exhibition Spaces Stanford Art Gallery SubGallery Cummings Lobby Gallery Annenberg Corridor Other Exhibition Spaces Open Studios New Venues in 2015 Iconoclasm ARTHIST 209C CLASSICS 158 CLASSICS 258 REES 409 ARTHIST 409 Iconoclasm iconophobia and aniconism as markers of cultural transformation of the Mediterranean in the 7th 9th centuries The identity crisis in the region as the Arabs established the Umayyad caliphate conquering the Holy Land Egypt and Spain The West consolidated around the Carolingians versus the East split between the Byzantines and the Arabs How each of these three empires emerged from the ashes of late antique culture and carved an identity out of a common cultural foundation The course will take place in the seminar room of the Art and Architectural Library located in the Cummings Art Building View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTHIST 409 section 1 Iconoclasm ARTHIST 209C CLASSICS 158 CLASSICS 258 REES 409 Bissera Pentcheva 2014 2015 Spring Tuesday 2 15pm 5 05pm About Department Overview People Works Contact Website Feedback Programs Art History Art Practice Design Documentary Film Film and Media Studies News and Events Department Newsletter Recent News Subscribe Upcoming

    Original URL path: https://art.stanford.edu/courses/2014-2015-arthist-409 (2015-06-02)
    Open archived version from archive

  • Mellon Curating Course | Department of Art & Art History
    Exhibition Spaces Open Studios New Venues in 2015 Mellon Curating Course ARTHIST 472 This course focuses on the production criticism and curating of art It encompasses both the study of curatorial work and the organization of an exhibition at the Cantor Through a series of required readings intensive class discussions class trips guest lectures and first hand encounters with art objects and exhibitions we will investigate the history and contemporary practice of curating Our work together will culminate in an exhibition at the Cantor organized by class members in close consultation with Cantor staff The show will open in late fall 2015 16 and will be on view for approximately 12 15 weeks Students are expected to enroll in both the Spring 2014 15 and Fall 2015 16 quarters For graduate students only and with the approval of the faculty Course will be co taught by Richard Meyer and Connie Wolf View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTHIST 472 section 1 Mellon Curating Course Richard Meyer Connie Wolf 2014 2015 Spring Monday 2 15pm 5 05pm About Department Overview People Works Contact Website Feedback Programs Art History Art Practice Design

    Original URL path: https://art.stanford.edu/courses/2014-2015-arthist-472 (2015-06-02)
    Open archived version from archive

  • New Art-Cinema for Non Majors | Department of Art & Art History
    Studios New Venues in 2015 New Art Cinema for Non Majors ARTSTUDI 31X This is a studio course in contemporary cinema art focusing on actionable ultra low budget methods for creating sprawling proprietary cinematic expressions Students will build familiarity with the myriad tools of and approaches to digital cinema creation and their practical use in works of art Students will also be encouraged to conceive of cinema art expansively as an opportunity to enclose express and explore other forms of art the written word sound sculpture image making and performance We will think talk and work through the question of the role of art in cinema and vice versa We will create as a class no less than two short films For each film students will have the opportunity to reinvent their role thinker actor writer dancer sound recordist location scout human sculpture etc Together we will smash the myth of the auteur as we hone ourselves into a finely ground machine for breakneck film making View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 31X New Art Cinema for Non Majors About Department Overview People Works Contact Website Feedback Programs Art

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-31x (2015-06-02)
    Open archived version from archive

  • Interactive Art: Making it with Arduino | Department of Art & Art History
    Exhibitions Exhibition Spaces About Exhibition Spaces Stanford Art Gallery SubGallery Cummings Lobby Gallery Annenberg Corridor Other Exhibition Spaces Open Studios New Venues in 2015 Interactive Art Making it with Arduino ARTSTUDI 130 Students use electronics and software to create kinetic and interactive elements in artwork No prior knowledge of electronics or software is required Students learn to program the Arduino a small easy to use microprocessor control unit see http www arduino cc Learn to connect various sensors such as light motion sound and touch and use them to control software Learn to interface actuators like motors lights and solenoids to create movement Learn to connect the Arduino to theMAX MSP Jitter programming environment to create media intensive video and audio environments Explore the social dimensions of electronic art lower level View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 130 section 1 Interactive Art Making it with Arduino Paul DeMarinis 2014 2015 Spring Monday Wednesday 10 00am 11 50am Cummings Art 204 About Department Overview People Works Contact Website Feedback Programs Art History Art Practice Design Documentary Film Film and Media Studies News and Events Department Newsletter Recent News Subscribe Upcoming

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-130 (2015-06-02)
    Open archived version from archive

  • Drawing I | Department of Art & Art History
    Individual and group instruction as students work from still life set ups nature and the model Emphasis is on the development of critical skills and perceptual drawing techniques for those with little or no previous experience with pastels inks charcoal conte and pencil Lectures alternate with studio work lower level View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 140 Drawing I 2014 2015 ARTSTUDI 140 section 1 Drawing I Josephine Taylor Tobin 2014 2015 Autumn Monday Wednesday Friday 1 15pm 3 05pm Cummings Art205 ARTSTUDI 140 section 1 Drawing I Yvette Deas 2014 2015 Winter Monday Wednesday Friday 10 00am 11 50am Cummings Art207 ARTSTUDI 140 section 1 Drawing I Yvette Deas 2014 2015 Spring Monday Wednesday Friday 1 15pm 3 05pm Cummings Art205 ARTSTUDI 140 section 2 Drawing I Yvette Deas 2014 2015 Autumn Tuesday Thursday Friday 10 00am 11 50am Cummings Art207 ARTSTUDI 140 section 2 Drawing I Yvette Deas 2014 2015 Winter Tuesday Thursday Friday 1 15pm 3 05pm Cummings Art205 ARTSTUDI 140 section 2 Drawing I Enrique Chagoya 2014 2015 Spring Tuesday Thursday Friday 1 15pm 3 05pm Cummings Art207 ARTSTUDI 140 section 3 Drawing I Josephine

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-140 (2015-06-02)
    Open archived version from archive

  • Yvette Deas | Department of Art & Art History
    Spaces About Exhibition Spaces Stanford Art Gallery SubGallery Cummings Lobby Gallery Annenberg Corridor Other Exhibition Spaces Open Studios New Venues in 2015 Yvette Deas Yvette Deas Current Courses Spring 2014 2015 ARTSTUDI 140 Drawing I Spring 2014 2015 ARTSTUDI 145 Painting I About Department Overview People Works Contact Website Feedback Programs Art History Art Practice Design Documentary Film Film and Media Studies News and Events Department Newsletter Recent News Subscribe

    Original URL path: https://art.stanford.edu/people/yvette-deas (2015-06-02)
    Open archived version from archive

  • Plein Air Painting Now | Department of Art & Art History
    that the camera cannot capture what the eye sees we might instead respond that neither the computer nor the camera nor video can reproduce in paint the subjective gaze of the contemporary viewer Contained within this answer lies the trajectory for the class PLEIN AIR PAINTING NOW nnIn this course students will be introduced to various water based media appropriate for plein air painting and learn various techniques and strategies for making paintings outdoors The course will include the traditional discussions of brushes paints the different types of supports as well as easels umbrellas and chairs A broad variety of painting techniques will be demonstrated We will set up in various locations around campus paying particular attention to the specifics of the siteas this will serve as the jumping off point for discussion of the readings that form the second component of the class nnPlease note that this class takes place outdoors Plan accordingly as we will be meeting in various locations around campus and will be subject to inclement weather Freshmen and Sophomores receive priority for enrollment This is a designated CREATIVE EXPRESSIONS course View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-141 (2015-06-02)
    Open archived version from archive

  • Painting I | Department of Art & Art History
    from life lower level View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 145 section 1 Painting I Yvette Deas 2014 2015 Autumn Tuesday Thursday 1 15pm 3 05pm Art124 ARTSTUDI 145 section 1 Painting I Xiaoze Xie 2014 2015 Winter Tuesday Thursday 10 00am 11 50am Art126 ARTSTUDI 145 section 1 Painting I Yvette Deas 2014 2015 Spring Tuesday Thursday 10

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-145 (2015-06-02)
    Open archived version from archive



  •