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  • Introduction to Printmaking Techniques | Department of Art & Art History
    Printmaking Techniques ARTSTUDI 148B Techniques such as monotype monoprint photocopy transfers linocut and woodcut intaglio etching Demonstrations of these techniques Field trips to local print collections or print exhibitions lower level View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 148B section 1 Introduction to Printmaking Techniques Kathryn Kain 2014 2015 Autumn Monday Wednesday 1 15pm 4 05pm ARTGAL110 About Department Overview

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-148b (2015-06-03)
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  • Monotype | Department of Art & Art History
    in 2015 Monotype ARTSTUDI 148 Introduction to printmaking using monotype a graphic art medium used by such artists as Blake Degas Gauguin and Pendergast May be repeated for credit Prerequisite 140 lower level May be repeated 2 times for total of 8 units View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 148 Monotype About Department Overview People Works Contact Website Feedback

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-148 (2015-06-03)
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  • Etching | Department of Art & Art History
    techniques of etching or intaglio on zinc plates such as hard ground soft ground aquatint marbling aquatint and sugar lift through an electrolytic process that uses no acid but sulfates and very low electrical power 1 5 V or the same as a AA battery This process is much less toxic that the traditional etching with nitric which produces toxic fumes or ferric acid difficult to clean These techniques will be complemented by other ones that can be mixed with etching such as photocopy transfers Chine collé attaching a different color paper between plate and main paper and mono printing nnEtching Intaglio making a mark under the surface of the plate is one of the most tactile and elegant forms of printmaking The plate leaves a 3 D line mark and embossed marks in the deep etched areas as well as at the edges of the plate Many major artists have left memorable images by working in this medium Rembrandt Goya Kathe Kollwitz Eduard Munch and many others influencing many contemporary artists View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 149C section 1 Etching Enrique Chagoya 2014 2015 Winter Monday Wednesday

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-149c (2015-06-03)
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  • Sculpture I | Department of Art & Art History
    appropriate use of tools and materials Impact of material and technique upon form and content the physical and expressive possibilities of diverse materials Historical and contemporary forming methods provide a theoretical basis for studio work Field trips guest lecturers View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 151 section 1 Sculpture I Terry Berlier 2014 2015 Autumn Tuesday Thursday 1 15pm

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-151 (2015-06-03)
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  • Ecology of Materials | Department of Art & Art History
    of material and technique upon form and content therefore understanding the physical and expressive possibilities of diverse materials Conceptual and technical considerations will be addressed Students will learn traditional building techniques as needed wood shop metal shop mold making found object as well as anti object techniques Existing at the intersection of art science technology and ecology environmental art often functions to inform and or interpret natural conditions and the processes associated with both non human and human made constructions It will also educate us about environmental issues and concerns This course introduces and provides a context for this area of interdisciplinary exchange and artist production by examining areas commonly known as cradle to cradle design land art eco art environmental art and art and technology What role does sculpture play in a fragile world with depleting natural resources global economies and media dominance What is the life cycle of object making and creating What is our relationship to objects in a growing technological age Students will make 3 4 projects based on these questions Group discussions critiques readings video presentations a field trip to a local artist in residence program Recology at the San Francisco Dump visiting artists and

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-153n (2015-06-03)
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  • Intro to Digital Photo | Department of Art & Art History
    offers an introduction to creative digital imaging Students will master camera controls and explore meaningful image production Course topics include image capture composition artificial natural light image correction data storage night photography and photography as a communicative tool View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 171 section 1 Intro to Digital Photo Adam Katseff 2014 2015 Autumn Friday 1 15pm

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-171 (2015-06-03)
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  • Creativity in the Age of Facebook: Making Art for and from Networks | Department of Art & Art History
    New Venues in 2015 Creativity in the Age of Facebook Making Art for and from Networks ARTSTUDI 174B This class explores the history practice and technique of creating art on and for the internet Discussions projects and readings focus on the ways in which internet art embodies changing ideas about artistic creation technology and interactivity as a way of blurring the line between artist and audience Setting recent work against the backdrop of earlier moments in contemporary art found object art photomontage this course also situates internet art in the pre internet tradition of finding new perspectives on and meanings in overfamiliar or banal media surroundings In collaborative and individual projects students will create visual compositions on online platforms such as NewHive and explore social media interventions Twitter experiments crowdsourced work collections of online found imagery supercuts GIFs and choose your own adventure style online storytelling View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 174B section 1 Creativity in the Age of Facebook Making Art for and from Networks Staff 2014 2015 Winter Tuesday Thursday 10 00am 11 50am Lathrop 294 About Department Overview People Works Contact Website Feedback Programs Art

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-174b (2015-06-03)
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  • Digital Art I | Department of Art & Art History
    uses of the computer in fine art History and theoretical underpinnings Common discourse and informative resources for material and inspiration Topics imaging and sound software web art and rethinking the comptuer as interface and object lower level View this course and available sections on ExploreCourses Section Information Title Instructor Quarter Day Time Location ARTSTUDI 179 section 1 Digital Art I 2014 2015 Autumn Monday Wednesday 1 15pm 3 05pm Art127

    Original URL path: https://art.stanford.edu/courses/2014-2015-artstudi-179 (2015-06-03)
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