archive-edu.com » EDU » U » UIOWA.EDU

Total: 455

Choose link from "Titles, links and description words view":

Or switch to "Titles and links view".
  • Akan Leadership Art and Ceremony, Page 6 - Art & Life in Africa - The University of Iowa Museum of Art
    Igbo Art in Social Context Islam and Islamic Arts in Africa Komo among Tagwa Senufo Peoples in Southwest Burkina Faso Kuba Art and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Art and Ceremony by Michelle Gilbert Trinity College Odwira Thursday is a day of feasting In the morning sheep are killed for family meals and meat and yam are distributed as tokens of friendship In private the royal black stools are fed they are offered drink raw and cooked meat and yam The ancestors eat the spirit sunsum of the meat offered to them the attendants

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/41?start=5 (2016-02-13)
    Open archived version from archive


  • Akan Leadership Art and Ceremony, Page 7 - Art & Life in Africa - The University of Iowa Museum of Art
    in Africa Komo among Tagwa Senufo Peoples in Southwest Burkina Faso Kuba Art and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Art and Ceremony by Michelle Gilbert Trinity College Akropong Akwapim Akuapem Odwira festival Ghana Photo by Michelle Gilbert 1993 Odwira Thursday afternoon young women from important Akuropon lineages walk in a procession from the palace to Nsorem a former royal burial ground on the edge of town and the site of the second capital Sheltered by large colorful umbrellas they carry food and water for their ancestors in large brass containers Most of those who

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/41?start=6 (2016-02-13)
    Open archived version from archive

  • Akan Leadership Art and Ceremony, Page 14 - Art & Life in Africa - The University of Iowa Museum of Art
    Komo among Tagwa Senufo Peoples in Southwest Burkina Faso Kuba Art and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Art and Ceremony by Michelle Gilbert Trinity College Akropong Akwapim Akuapem Odwira festival Ghana Photo by Michelle Gilbert 1989 On the following Sunday the golden stool and large feather headdress worn by the king s soul child okra are purified and fed The headdress was captured from the Asante in war and is made of small squares of crocodile hide attached with golden wires male eagle feathers and leopard skin dangerous animals which are kings of the

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/41?start=13 (2016-02-13)
    Open archived version from archive

  • Akan Leadership Arts, Page 2 - Art & Life in Africa - The University of Iowa Museum of Art
    and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Arts by Doran Ross Formerly Fowler Museum UCLA Otumfuo Opoku Ware II Asantehene Asante peoples Kumase Ghana 1995 Photo by Frank Fournier The Asantehene is seen here seated at the Kumase Sports Stadium during the Akwasidae Kesee Durbar celebrating the Silver Jubilee 25th year of his reign To his left is the Sika Dwa Kofi Golden Stool born on Friday seated on its own chair see page eight of this essay In front and to both sides of the Asantehene are his sword bearers To his immediate right

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/8?start=1 (2016-02-13)
    Open archived version from archive

  • Akan Leadership Arts, Page 3 - Art & Life in Africa - The University of Iowa Museum of Art
    Leatherwork and Brass Bangles Ifa Divination Igbo Art in Social Context Islam and Islamic Arts in Africa Komo among Tagwa Senufo Peoples in Southwest Burkina Faso Kuba Art and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Arts by Doran Ross Formerly Fowler Museum UCLA Otumfuo Opoku Ware II Asantehene Asante peoples Kumase Ghana 1995 Photo by Frank Fournier The Asantehene is being carried around the Kumase Stadium prior to sitting in state at his Silver Jubilee see page two of this essay He is riding in a palanquin draped in a blanket from Mali under a

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/8?start=2 (2016-02-13)
    Open archived version from archive

  • Akan Leadership Arts, Page 4 - Art & Life in Africa - The University of Iowa Museum of Art
    Komo among Tagwa Senufo Peoples in Southwest Burkina Faso Kuba Art and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Arts by Doran Ross Formerly Fowler Museum UCLA Sika Dwa Kofi the Golden Stool of Asante Asante peoples Kumase Ghana 1995 Photo by Frank Fournier Stools are the most complex and important of all Asante arts The Golden Stool was said to have been delivered from the sky by the priest Okomfo Anokye to land on the knees of the first Asantehene Opuku Ware I in the late 17th century This stool houses the soul of the

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/8?start=3 (2016-02-13)
    Open archived version from archive

  • Akan Leadership Arts, Page 5 - Art & Life in Africa - The University of Iowa Museum of Art
    Leadership Regalia Do in Leaves and Wood Among the Bobo and the Bwa Frafra Leatherwork and Brass Bangles Ifa Divination Igbo Art in Social Context Islam and Islamic Arts in Africa Komo among Tagwa Senufo Peoples in Southwest Burkina Faso Kuba Art and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Arts by Doran Ross Formerly Fowler Museum UCLA Dwete kuduo surrounded by sword bearers Asante peoples Kumase Ghana 1995 Photo by Frank Fournier The dwete kuduo is actually a silver casket sitting on top of a brass kuduo for more information see the essay by Raymond

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/8?start=4 (2016-02-13)
    Open archived version from archive

  • Akan Leadership Arts, Page 6 - Art & Life in Africa - The University of Iowa Museum of Art
    in Leaves and Wood Among the Bobo and the Bwa Frafra Leatherwork and Brass Bangles Ifa Divination Igbo Art in Social Context Islam and Islamic Arts in Africa Komo among Tagwa Senufo Peoples in Southwest Burkina Faso Kuba Art and Rule Life in the Cameroon Grasslands Luba Art and Divination Mangbetu Royal Art and Herbert Lang 1902 1906 Masquerades Among the Dan People Mbari Art as Process in Igboland Military Arts of the Fante Nature Spirits and Arts in Burkina Faso Puppet Masquerades in the Valley of the Niger Sculpture of the Bamana Jo Society Signs and Symbols in African Art Graphic Patterns in Burkina Faso Textiles in Mali The Art of Burkina Faso The Status of Dogon Visual Culture Visual Symbols of Self South Sotho Arts and Initiation Weaving in Southern Nigeria Women s Art and Initiation in Mendeland Yoruba Gelede Masquerade Young Women in Contemporary Zulu Society Akan Leadership Arts by Doran Ross Formerly Fowler Museum UCLA Ntahera horns of the Asantehene Asante peoples Kumase Ghana 1995 Photo by Frank Fournier This ensemble of ivory trumpets typically proclaims the arrival of the Asantehene and also plays to ceremonially awaken him on important occasions These side blown trumpets with

    Original URL path: https://africa.uima.uiowa.edu/topic-essays/show/8?start=5 (2016-02-13)
    Open archived version from archive